Desolation Angels | |
---|---|
1st US edition |
|
Author(s) | Jack Kerouac |
Country | United States |
Language | English |
Series | Duluoz Legend |
Genre(s) | Novel |
Publisher | Coward McCann |
Publication date | 1965 |
Media type | Print (Hardback & Paperback) |
Pages | 366 pg |
ISBN | NA |
Preceded by | Visions of Gerard (1963) |
Followed by | Satori in Paris (1966) |
Desolation Angels, published in 1965, yet written years earlier around the time On the Road was in the process of publication, is a semi-autobiographical novel written by Beat Generation author Jack Kerouac, which makes up part of his Duluoz Legend. According to the book's foreword, the opening section of the novel is almost directly taken from the journal he kept when he was a fire lookout on Desolation Peak in the North Cascade mountains of Washington state. Much of the psychological struggle which the novel's protagonist, Jack Duluoz, undergoes in the novel reflects Kerouac's own increasing disenchantment with the Buddhist philosophy with which he had previously been fascinated.
Contents |
"Because of the objections of my early publishers I was not allowed to use the same personae names in each work." [2]
Real-life person | Character name |
---|---|
Jack Kerouac | Jack Duluoz |
William S. Burroughs | Bull Hubbard |
Carolyn Cassady | Evelyn |
Neal Cassady | Cody Pomeray |
Gregory Corso | Raphael Urso |
Henri Cru | Deni Bleu |
Claude Dalenburg | Paul |
Robert Duncan | Geoffrey Donald |
Bill Garver | Old Bull Gaines |
Allen Ginsberg | Irwin Garden |
Louis Ginsberg | Harry Garden |
Joyce Glassman | Alyce Newman |
Randall Jarrell | Varnum Random |
Philip Lamantia | David D'Angeli |
Robert LaVigne | Levesque |
Norman Mailer | Harvey Marker |
Michael McClure | Patrick McLear |
Locke McCorkle | Kevin McLoch |
John Montgomery | Alex Fairbrother |
Peter Orlovsky | Simon Darlovsky |
Alan Watts | Alex Aums |
Gary Snyder | Jarry Wagner |
William Carlos Williams | Dr. Williams |
Kerouac was not particularly conscientious about masking the identities of his friends. Partway through Chapter 91, there is this line: "'Who wants to ride freight trains!' -Gregory- 'I dont dig all this crap where you ride freight trains and have to exchange butts with bums-'" Somehow both Kerouac and the editors missed that "Gregory" was not changed to "Raphael." Similarly, the locals of Tangiers call Old Bull Hubbard, "Boorows" in Chapter 52 of Book 2, which only makes sense if you know that he is based on the real life William S. Burroughs. In Chapter 43, he refers to "...the Sundays in Neal Cassady's writings..." The editors may have ignored this since Cody is not mentioned in this context. In Part 1 of Book 2 he refers to locals calling Old Bull Gaines "Senor Gahr-va" which makes little sense unless the reader knows Gaines is based on Bill Garver. And in Chapter 80, the discussion of the meanings of Urso and Pomeray's names leads to a less than clear comparison to the name Corso.
The book is broken up into two sections called Desolation Angels and Passing Through, which are then subdivided into many shorter parts. Each part focuses on a specific location where Kerouac is at that time. The first section covers Kerouac's time on the mountain and immediately after he leaves the fire lookout. The foreword of the book mentions that Kerouac was hoping to get the second section, Passing Through, published as a standalone novel.
Roger Daltrey mentions the book on his solo album Parting Must be Painless on the Steve Swindells' song Dont Wait on the Stairs